Posts Tagged ‘art exhibit’

Mindful Navigation: The POA Series

Thursday, November 13th, 2008
"Mindful Navigation" from The POA Series by Rhea Giffin

"Mindful Navigation" from The POA Series by Rhea Giffin

What is it?  It’s a haphazard venture into my own personal “pockets of autism” through dimensional “paintings of apples” and other playful papier mache and mixed media sculpture that loosely illustrates my poem or the other way around.  As an artist, embracing, questioning, sorting out my sensitiivities, thoughts and observations is what drives me.  For this series, Apples serve as a universally symbolic, light-hearted disguised guide for this expedition’s contemplation of complexities of thought, ironies and emotion accompanied by an occasional orange or pear.  This exhibition is in collaboration with the Northwest Museum of Arts and Culture’s Art @ Work program.  Runs January 6 – March 29, 2009, 5-8 pm., Kress Gallery in River Park Square, 808 W. Main Ave., third level, Spokane, Washington, USA.  For art rental or purchase information, contact Ryanh@northwestmuseum.org A reception will be held on Friday, February 6th in conjunction with Spokane’s bi-annual Visual Arts Tour.  Hope you can attend.

The Poem:

POA (from Mindful Navigation: The POA Series)

 

Paintings Of Apples

Pockets Of Autism, Alphabets and Apples

Stopping, Chewing, Spitting Out or Swallowing.

Swallowing Pieces, Swallowing Whole.

Pieces Of Allegory, Audacity and Anger

Portals Of Adaptation

Practicalities Of Anxiety, Anonymity and Abnormality.

Why be normal?

Parties Of Aardvarks

Promenade Onto Ark

Feast on Provisions Of Ants

Aunts and Uncles

Provide Pieces Of Apples

Pieces Of Apples and Pretext Of Answers

Pretext Of Answers and Presumption Of Altars

Prayers Of At-one-ness

Pourings Over Ambulances

Postdiluvian Attitudes

Pessimism Of Anarchists

Pornography Of Anatomy

Promises Of Ancients

Priests Obscuring Audacity

Portentousness Of Animism

Apples and Amis. Apples and Enemies.

Poisonous and Sweet. Toxic and Sweet.

Pestilence Of America. Apple Pie and What-not.

Perils Of Angst. Poisons on Articulation. Positions Of Altitude. Perils Of Annihilation, Ambivalence. 

Poverty Of Application. Prayers Of Amusements. Poverty Of Artists.

Presence Of Anger. Pockets Of Attitude, Audacity, Abandonment. Pain Of All.

Pachyderms Of Africa and Asia.

Perilous Pretorian Pathways Obstruct. Offering Only Annihilation.

Planetary Pain. Outrageous. Overwhelming. Astounding Apathy.

Predictions Of Avalanches. Pockets Of Pain. Indigestion.

Perplexed, Puzzling, Pondering, Projecting.

Prisoners Of Addiction, Avoidance, Atrocity, Atrophy.

Purging Over-Accumulations, Oppressive Attitudes, Overwhelm, Off-putting Apathy

Possessions Obscuring Action

Pockets Of Articulation, Answers, and Altars.

Pockets Of Autism, Alphabets, and Apples.

Parcels Of Arithmetic. Patterns Of Ambivalence. Peels Of Apples.

Pleas to Openings of Awareness.

Pitiful Offers of Absolution. Pretend Ownership of Autonomy.

Pomegranates Of Awe, Abundance, Amazements.

Pleas to Ponder Poetry Of Apples and Pockets.

Paintings Of Apples and Acronyms.

Paintings Of Apples and Ponderings.

Parings. Pairings. Pear Rings Of Apples.

©2008Rhea Giffin

“About Faces: Personality in Portraiture”

Wednesday, November 12th, 2008

Many Northwest Papier Mache Artists’ Guild members participated in this all media invitational exhibit at the POAC Gallery in Sandpoint, Idaho this summer as part of ArtWalk I, June 20-July 27, 2008. www.artinsandpoint.org

"Megan" by Sherri Ballman

"Megan" by Sherri Ballman

Thank you, Tala K.K. Wood for such an explicit and thoughtful review in the July 3, 2008 issue of The Sandpoint Reader  (page 11)

Click her to view original article (pdf)

Note: The photographed images within the article feature artwork by Judy Minter. http://www.JudyMinter.com   Also note that my last name, giffin, is mis-spelled.  The correct version has no “r”. Betty’s correct last name is Gardner, not Gardener.

Unfortunately there is not an on-line version available at this time.   Here is a transcribed version:

“Faces” Captured Me

By Tala K. K. Wood

For SPR

The “About Faces: Capturing Personality through Portraiture” exhibit at POAC’s Powerhouse Gallery was a wonder to behold.  I saw a few names I knew, and some artwork that looked familiar, but in essence, I was a stranger in a colorful land.

There were portraits of family members, famous people, and imaginary individuals. There were fascinating sculptures, and wacky carvings. Some were disturbing, with bug eyes and swirled noses, and others quaint, with children, kittens, and normal features, but every piece was interesting.

I made a complete fool of myself, walking from painting to painting about every five minutes, my mouth in danger of falling open. I am not an artsy-type person — I’m a writer, so my paints are found in dictionaries and thesauruses–but I couldn’t keep my eyes off the display of creativity I saw splashed along the hallway.

One that I liked in particular was called “Pity Stew” by Rhea Griffin. It consisted of a cup, a bowl, a spoon, and a napkin on a tray, all in a deep blue.  Accomanying it was a copy-righted poem that I fell in love with.  It turned the stew and all things asociated with soups, like salt, into ingredients for pity–little hurts, and have-nots.

Another that caught my eye was the “Beekeeper” by Betty Gardener.  The thing that intrigued me the most were the elements that made up the bust.  Wasp nests formed a neck, lichen was hair, and flowers and other plant components decorated the face.  A third eye was represented by a five-petal flower.

While I particularly liked both of these unique creations, my affection for them is out-numbered a thousand to one in favor of another of Griffin’s works, “Blind Patriotism.”

I stared at this figure for ten minutes and kept coming back even after I had–ahem–“moved on.”  Every time I looked at it, I saw a new symbol.

The basis of the piece was a blue woman in front of a three layered box with clouds on the top level and a pair of eyes perched on top.  When you look closer, you’ll see–or at least I saw–that it is covered in messages.  Note to the creator:  If my interpretations are wrong, do forgive me, I am merely an uncultured teenager.

The woman is the center piece, but even her simple movements are worth noting.  In reference to the title she is blindfolded by a scarf bearing the United States colors.  One hand is over her heart, and the other is gesturing towards the box behind her.

She is almost showing a type of possession in her posture, but at the same time, it is defensive–covering her life-source.

The world behind her is one I would not gesture to, were I in her place.

The bottom level is empty and dark, where the woman is.  The second level is a sea with high wild waves, and the third has clouds haning from strings, and one cloud that seems to have fallen.

Above the box is a pair of “All-Seeing” eyes.  The God-like half a face’s eyes are spirals, which seem to indicate a sort of madness.  To me these portions seem to indicate Hell, Earth, Sky, and Heaven.

The sides of the box are just as interesting as the insides. To the left are three American flags: the top and bottom ones are normal and right-side up, but the one that is level with the second portion of the box is upside down,. a universal signal of distress.

I find it interesting that the section that represents Earth has the distress symbol.

The Right side of the box has three identical flags of no country I recognize, each with a different icon on it.  The top one has a heart circled, equal with the “sky” portion.

The middle one, parellel with the Earth, fittingly has an Earth drawn on it.

The Earth is not shown as it normally is, with the Pacific Ocean split right down the middle.  Instead, it is only of Africa, and the bottom portion of Europe.

The third flag has a peace sign scrawled across a corner of it.  However, the peace sign is distorted and one bar is missing.  Are we missing peace, by any chance?

I found this politically slanted piece of art astounding and beguiling.  I can hardly wait to look at it again.

The entire exhibit is well worth taking some of your precious time out to see.  Maybe you’ll find your own “Blind Patriotism.”

"Blind Patriotism" and "Aquarius Rising Up From the Piscean Sea" by Rhea Giffin